![]() As I put it in an earlier post, the end of the bridge does not justify the beginning. ![]() The bridge starts on a weak chord, which may have worked if it led into more interesting sequences, but it doesn't. The use of "blue" notes is extremely clumsy-almost like he didn't know how, and in fact, in this instance, he didn't, and he shouldn't have used it. It stays too long on the first note, and when it moves it goes nowhere interesting. And the equally weak fadeout leads into the action very well. However, as the opening of the movie it's very effective. And what follows is too weak to justify it retroactively. That chord is emblematic of the whole failed song-it has no core, it doesn't lead anywhere strongly. I rank them pretty high overall.ġ0: Masterpiece, magnum opus, or similar terminology.Ĥ. ![]() I enjoy it quite a bit.Ĩ-9: Really enjoyable songs. I won’t skip it, but I wouldn’t choose to put it on.ħ: This is a good song. How do you feel about this song? What are some of your favorite lyrics? What is your favorite studio anecdote related to this song? How would you rank it among the rest of the band’s discography? How would you rate it out of 10 (decimals allowed)?ĥ: It’s okay, but I might have to be in the right mood to listen to it.Ħ: Slightly better than average. This is the first track from the band’s third album, A Hard Day’s Night, and the eighth song recorded for the album.
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